Jozef [Joseph] Van den Berg (Beers, 22 August 1949) is a Dutch puppeteer, playwright and actor, who nowadays lives as a hermit.
Youth
From the age of seven, he lived
most of his youth at Cuijk, where his father bought an old rectory and
tended an accountancy bureau. His father was a primary school teacher,
first at Beers and then Rijkevoort, and a member of the resistance
during the War. The family he belonged to consisted of eleven children.
On January 30th, 1962, at the age of twelve, his father died and
afterwards also his best friend Fritz. Already as a child, Van den Berg
wanted to become a priest. For Christmas his mother gave him a set to
play a little priest. At the age of 10, he played his first theater role
as a Pharisee in a Passion Play of the Welpen at the patronage building
at Cuijk. At the age of 13 he got a girlfriend, because of which the
priesthood disappeared into the background. During his secondary school
at the Internaat Bisschoppelijk College [Boarding School Diocesan
College] in Roermond he was very active in school theater. For example,
he played Sisyphus in the play Sisyphus And Death, and later on, inspired by Henk van Ulsen, with a lot of success Diary Of A Madman by Gogol.
Puppetry
At the end of the 60's, after
obtaining his high school degree, he passed his entrance examination
and started at the theater school in Arnhem, which he quit after the
second year. He went to live with Ruth in Arnhem and later on moved to
Groningen. He applied for social assistance and started playing puppet
shows. He borrowed a horse and cart and wandered around puppetering. In
this period he became member of the Gurdjieff movement. After a show in
Groningen he got acquainted to his wife Hansje, whom he married on
September 11th, 1973. They had four children: Lotte [nowadays a
well-known playwriter, theater actor and director herself], Maartje,
Jasmijn and Jesse Van den Berg. In Groningen he lived on a farm and
rented a basement at Zwanestraat where on Wednesday afternoon he played
for children, and on Friday evening for adults. He started his
professional career as a puppeteer in a puppet show and there he brought
numerous characters to life. Eventually he removed the curtain and by
doing so became the man with the puppets, visible for the audience. His
improvisations were replaced by a play with a title. With a fire
department truck, he played with a wandering puppet theater. Living in a
mobile home, he brought his plays to the people.
In 1980 he received the Hans Snoekprijs for Appeloog [Apple Eye], left Groningen and moved to Herwijnen in the Betuwe region. There he wrote Moeke en de Dwaas [(little) Mother and the Fool] for the Holland Festival. In 1980 and 1981 he played Moeke en de Dwaas,
which was his great breakthrough. After this he played in Paris, the
US and Japan. In this show he played a monk. His puppets were his
family, consisting of - among others - Luke the monk, as if he had
foresight, the materialistic and opportunistic Portemonnee [Wallet], the
old, wise, strict Mrs. Witch, the ever rationalizing Mr. King,
the melancholic Grootoog [Great Eye], the romantic neurotic Frederik the
Bird, Pete the Caterpillar and Mannetje Pluim [(little) Man Feather].
In 1981 he received the CJP-Podiumprijs [Cultural Youth Passport's Scene
Price]. A number of his shows were broadcast by the VPRO TV company. In
1983 the De Dwaas Foundation was established in cooperation with the
Ministery of Social Affairs. The foundaition was established by Van den
Berg's technical assistant Gerrit de Beuze, who did his Civilian Public
Service in order for him to be employed by this foundation.
In 1988 and 1989, Joseph Van den Berg played his last show Genoeg Gewacht [Enough Waiting], which was a reaction to Waiting For Godot
by Samuel Beckett. He wrote this play for his brother Aloys, who was
seriously ill. He played this piece 80 times [constantly rewriting it]
in the Netherlands and at a festival in New York. It was his ultimate
quest and a testimony to his conversion. He drew his inspiration from
the Stabat Mater by Vivaldi, sung by Aafje Heynis. Aloys Van den Berg, his brother, came to watch Genoeg Gewacht in a wheelchair. In 1988 his brother died of a brain tumor.
Turnaround
On September 12th, 1989 was the Belgian première of Genoeg Gewacht
at Antwerp [Belgium is a predominantly Dutch-speaking country]. That
afternoon, Van den Berg had an encounter with God, as he described it
later on. Sitting in his dressing room, he wrote a letter he wanted to
use that night for the first time in his play. God asked him this
question by his own pen: "Why don't you ever see that I cannot come
because I'm already here." On September 12, 1989 he still played
the premiere which later turned out to be his very last show. Van den
Berg was - according to his own words - being called by God, and had to
answer that.
Before the evening show on
September 14th, 1989 at De Singel Arts Center in Antwerp, he took his
Bible and asked God what to do. He opened the Bible at the following
words: "Go away from their midst and separate yourself" (II Cor. 6:17).
Before the beginning of the play he said to his audience:
“I will try to explain it to
you. I hope that you have one thing for me and that is respect for my
decision. I will never play again. I have approached a reality which
cannot be played anymore. I have searched for a tremendously long time;
have been everywhere. Eventually I came to the conclusion, and this
conclusion, I have to admit, is that the seeker seeks but he is found.
That's why tonight is the last time I'm on stage. You don't believe me,
but that's the deceitful side of theater. Therefore, ladies and
gentlemen, for this man, for Christ only, have I searched for this peace
I wanted. And I know that it is so, and I quit this profession. For me,
it's over. I seek reality. I can't say things that are not true for me
anymore. I wish you a good day. I go. May you all go well. The money you
paid can be given back at the box office.”
A deadly silence followed, and
the theater audience reacted emotionally. Thus, on September 1989 at
7:55 pm, the theater career of Joseph Van den Berg came to an end.
In 1990 Van den Berg began a
quest which would lead him to Maldon (Essex), Athens and the Holy
Mountain of Athos, to further find out how he had to continue his road
with God. His children and wife had difficulties understanding his
conversion.
 |
| Elder Sophrony of Essex |
After returning to the Netherlands, and loyal to the word of Father Porphyrios, he began to work on a new family show titled The World Turned Upside Down,
where he wanted to convey his new faith. But it seemed that everything
was going wrong, and he got in more and more spiritual trouble. He
couldn't sleep anymore and became over-tired. In the middle of this
crisis, on June 18, 1990, he asked a priest in order to be accepted into
the Orthodox Church. Meanwhile, 40,000 tickets had been sold for his
new show. Notwithstanding this, nothing whatsoever came out of his
hands. In August, overstressed, he was treated for five weeks at the
Psychiatric Centre Nijmegen at the Heilige Land Stichting [Holy Land
Foundation]. There was to be no new show. Because of this, peace slowly
returned to him and thus he began to write a new piece called The Meeting, in which he wanted to share with his audience what happened to him in Antwerp.
In April 1991 he went to Athens again, to Father Porphyrios, to ask his blessing to play his piece The Meeting.
However, he didn't manage to speak to him, due to his old age and
disease. After this, he went to the Holy Mountain of Athos for three
weeks, to work on his theater play in the Monastery of Grigoriou.
Having returned to the Netherlands, things evolved in a different way than expected, among other things, because of a subsidy by the Ministery of Culture. At the request of the board of the Foundation De Dwaas, of which Van den Berg had become an employee, he formulated a new mission statement for this Foundation. On May 21st, 1991 he announced this new goal at a board meeting: "The support and promotion of all theatrical activity, in the broadest sense of the word, which expresses the spirit of Christ." The board and the Ministery of Culture couldn't reconcile themselves with this and the subsidy was revoked. But once he established it, he didn't let go of this goal. Thus, unexpectedly, the whole project came to an end. Gradually, Van den Berg began to realize that he would never play The Meeting either. The authorities assumed that he was confused again, and he was declared incapacitated.
During the night of the 1st to the 2nd of June, he realized that he was left alone, and on June 2nd, 1991 he attended the Divine Liturgy at the [small Orthodox] Monastery of the Holy Prophet Elias at St. Hubert. That's where he left what was left of his money on the collection plate. "Lord, from now on, You have to take care of me. I totally surrender." There, Archimandrite Pachom read from the Gospel of that Sunday of All Saints: "He that loves father or mother more then me, is not worthy of me: and he that loves son or daughter more then me, is not worthy of me. And he that takes not his cross, and follows after me, is not worthy of me. He that finds his life, shall lose it: and he that loses his life for my sake, shall find it" (Matthew 10:37-39). Two hours later, after the Liturgy, he went straight to the Orthodox Monastery of the Nativity of the Theotokos near Asten [click here], where he stayed for 19 days, and where he left his Mercedes Combi, because it didn't want to start again. On June 21st, 1991 he put a final end to his theater career at his first try-out, never to be played again, of the show The Meeting in the Streekschouwburg at Cuijk. On June 24th, 1991 he left his home by bicycle, but his tire ran a flat near Waardenburg, so he passed the night at Juke Hudig's, an artist at Neerijnen. On June 25, 1991, having repaired his bike, he left Juke Hudig, and cycled into the province of Noord-Brabant, to the south. He wanted to drive into the Brabantine land and the entire world. But soon enough he understood intimately that this was not God's will, and returned to Neerijnen after one night in Eindhoven. On June 30th he collected two or so theater attributes he used in his performances from his house. After this, he returned to Juke Hudig.
Hermit
His only question was: "How does God want me to shape my calling?" Then, he intimately saw that he had to collect his puppetry box. On July 9th, 1991 he collected the box at his house at Herwijnen, and walked it 15km further to Neerijnen. Having arrived at Neerijnen with his theatre box on wheels, with a Russian cross attached to it, he understood ever more clearly that he had to stay there. During the month of July he stayed for three days on a farm at Neerijnen. On August 1st, 1991 he moved to the bicycle shed of the Neerijnen Town Hall, where he started his public calling. After fifty days, he retreated from publicity and lived nine months in seclusion at the home of an inhabitant of Neerijnen. In June 1992 Joseph returned to the bicycle shed and stayed there, even during the winter. In December 1992, he built a small chapel around his box. On November 1st, 1993, Van den Berg had to leave the bicycle shed on orders of the Neerijnen town council. Two pupils of Neerijnen Elementary School offered the mayor a petition on behalf of the townspeople who thought that he should be able to live on at the shed, but this was of no avail. The [National Public TV-Company's] Youth News followed the youngsters' action and was also present on Monday morning November 1st.
On Monday afternoon Joseph decided to collect his belongings, and left the bicycle shed. Co-townsman Harm Hazelhoff had previously offered him room in his garden, under the quince tree, but inwardly Van den Berg didn't understand yet that he had to accept that invitation. On Monday evening he returned with his belongings to the bicycle shed. During the night of the 1st to 2nd of November, God showed him that he had to be humble and leave the bicycle shed after all. On Tuesday he put his suitcase and other belongings under the quince tree in Hazelhoff's garden. That same afternoon, someone passed by and told him that De Pleisterplaats [Pull-Up] was his best show. There were four poles close to the quince tree, and Joseph understood from this that he had to build the "Pull-Up" under the quince tree. With this "messenger", he built a small chapel of 2 by 1.5 meters, which still stands today. He still lives there, and receives people every day. He lives from whatever people bring him. He has no connection to any utility whatsoever. Since a couple of years, there is a toilet in the castle garden, which Joseph and his guests can use, and since a few years he has a mobile phone for emergencies.
In the media
Joseph Van den Berg gets a lot of attention from the media because of his extraordinary way of life. The attention of the media never wanes, even after his theater career. Since the start of his calling, the Dutch national newspapers, magazines, TV companies, radio and weblogs publish at least one article about him every year. In 1993 he was interviewed by Rik Felderhof for the NCRV TV program De Stoel, and by Fred Wittenberg for the KRO radio program Radio Ararat. In 1995 he got interviewed for the NCRV program Rondom Tien. In 2001 he was visited again for De Stoel. In 2003 Arjan Visser arranged a radio interview with him for Spiegels (RVU). In 2005 he was visited by Martin Simek for the Christmas night broadcast of Šimek’s Nachts (RVU) and in 2006 there was a radio interview by Friedl' Lesage in Het beste moet nog komen for Radio 1 (Flanders, Belgium). Omroep Gelderland dedicated a number of programs to him. In 2007, Auke Hamers recorded the short movie Ik Speel niet meer [I don't play anymore], about his life and religious convictions. In 2010, the TV show Man Bijt Hond made a short portrait of Joseph Van den Berg.
Having returned to the Netherlands, things evolved in a different way than expected, among other things, because of a subsidy by the Ministery of Culture. At the request of the board of the Foundation De Dwaas, of which Van den Berg had become an employee, he formulated a new mission statement for this Foundation. On May 21st, 1991 he announced this new goal at a board meeting: "The support and promotion of all theatrical activity, in the broadest sense of the word, which expresses the spirit of Christ." The board and the Ministery of Culture couldn't reconcile themselves with this and the subsidy was revoked. But once he established it, he didn't let go of this goal. Thus, unexpectedly, the whole project came to an end. Gradually, Van den Berg began to realize that he would never play The Meeting either. The authorities assumed that he was confused again, and he was declared incapacitated.
 |
| A book about Elder Porphyrios (click here) |
During the night of the 1st to the 2nd of June, he realized that he was left alone, and on June 2nd, 1991 he attended the Divine Liturgy at the [small Orthodox] Monastery of the Holy Prophet Elias at St. Hubert. That's where he left what was left of his money on the collection plate. "Lord, from now on, You have to take care of me. I totally surrender." There, Archimandrite Pachom read from the Gospel of that Sunday of All Saints: "He that loves father or mother more then me, is not worthy of me: and he that loves son or daughter more then me, is not worthy of me. And he that takes not his cross, and follows after me, is not worthy of me. He that finds his life, shall lose it: and he that loses his life for my sake, shall find it" (Matthew 10:37-39). Two hours later, after the Liturgy, he went straight to the Orthodox Monastery of the Nativity of the Theotokos near Asten [click here], where he stayed for 19 days, and where he left his Mercedes Combi, because it didn't want to start again. On June 21st, 1991 he put a final end to his theater career at his first try-out, never to be played again, of the show The Meeting in the Streekschouwburg at Cuijk. On June 24th, 1991 he left his home by bicycle, but his tire ran a flat near Waardenburg, so he passed the night at Juke Hudig's, an artist at Neerijnen. On June 25, 1991, having repaired his bike, he left Juke Hudig, and cycled into the province of Noord-Brabant, to the south. He wanted to drive into the Brabantine land and the entire world. But soon enough he understood intimately that this was not God's will, and returned to Neerijnen after one night in Eindhoven. On June 30th he collected two or so theater attributes he used in his performances from his house. After this, he returned to Juke Hudig.
Hermit
His only question was: "How does God want me to shape my calling?" Then, he intimately saw that he had to collect his puppetry box. On July 9th, 1991 he collected the box at his house at Herwijnen, and walked it 15km further to Neerijnen. Having arrived at Neerijnen with his theatre box on wheels, with a Russian cross attached to it, he understood ever more clearly that he had to stay there. During the month of July he stayed for three days on a farm at Neerijnen. On August 1st, 1991 he moved to the bicycle shed of the Neerijnen Town Hall, where he started his public calling. After fifty days, he retreated from publicity and lived nine months in seclusion at the home of an inhabitant of Neerijnen. In June 1992 Joseph returned to the bicycle shed and stayed there, even during the winter. In December 1992, he built a small chapel around his box. On November 1st, 1993, Van den Berg had to leave the bicycle shed on orders of the Neerijnen town council. Two pupils of Neerijnen Elementary School offered the mayor a petition on behalf of the townspeople who thought that he should be able to live on at the shed, but this was of no avail. The [National Public TV-Company's] Youth News followed the youngsters' action and was also present on Monday morning November 1st.
On Monday afternoon Joseph decided to collect his belongings, and left the bicycle shed. Co-townsman Harm Hazelhoff had previously offered him room in his garden, under the quince tree, but inwardly Van den Berg didn't understand yet that he had to accept that invitation. On Monday evening he returned with his belongings to the bicycle shed. During the night of the 1st to 2nd of November, God showed him that he had to be humble and leave the bicycle shed after all. On Tuesday he put his suitcase and other belongings under the quince tree in Hazelhoff's garden. That same afternoon, someone passed by and told him that De Pleisterplaats [Pull-Up] was his best show. There were four poles close to the quince tree, and Joseph understood from this that he had to build the "Pull-Up" under the quince tree. With this "messenger", he built a small chapel of 2 by 1.5 meters, which still stands today. He still lives there, and receives people every day. He lives from whatever people bring him. He has no connection to any utility whatsoever. Since a couple of years, there is a toilet in the castle garden, which Joseph and his guests can use, and since a few years he has a mobile phone for emergencies.
In the media
Joseph Van den Berg gets a lot of attention from the media because of his extraordinary way of life. The attention of the media never wanes, even after his theater career. Since the start of his calling, the Dutch national newspapers, magazines, TV companies, radio and weblogs publish at least one article about him every year. In 1993 he was interviewed by Rik Felderhof for the NCRV TV program De Stoel, and by Fred Wittenberg for the KRO radio program Radio Ararat. In 1995 he got interviewed for the NCRV program Rondom Tien. In 2001 he was visited again for De Stoel. In 2003 Arjan Visser arranged a radio interview with him for Spiegels (RVU). In 2005 he was visited by Martin Simek for the Christmas night broadcast of Šimek’s Nachts (RVU) and in 2006 there was a radio interview by Friedl' Lesage in Het beste moet nog komen for Radio 1 (Flanders, Belgium). Omroep Gelderland dedicated a number of programs to him. In 2007, Auke Hamers recorded the short movie Ik Speel niet meer [I don't play anymore], about his life and religious convictions. In 2010, the TV show Man Bijt Hond made a short portrait of Joseph Van den Berg.
Source:
The Wikipedia source also contains many links and an entire list of the
shows he acted in. Many thanks to Bert Genbrugge who translated
everything, with some edits by John Sanidopoulos. Bert also provided the
following notes:
Note 1: During an interview with the Belgian "top" newspaper De Standaard
(www.standaard.be), Jozef Van den Berg told an interesting story. A man
wanted to have a date with a woman he hadn't met or seen yet. The woman
agreed on condition that the man would buy her flowers every week. This
seemed strange, demanding and even somewhat arrogant to the man, but
eventually he agreed. However, when they met, the man was so overwhelmed
by her beauty, intelligence and character that he told her he would buy
her flowers every day. To Jozef Van den Berg, the same is true for God.
Note 2: Jozef's
daughter Lotte Van den Berg, for the past couple of years a famous
director and playwright herself, wrote her first major theater play
"Winterverblijf" (Winter Home/Residence) about her struggle with her
fathers conversion. The show played in all the great theaters in the
Netherlands and Belgium.
This
is how it was introduced: "She found her inspiration on a journey
through Siberia and Mongolia, where it is too cold to heat the church
during the winter, and the celebration of Liturgy forcibly has to be
moved to the kitchen or the barn. According to Van den Berg herself:
'The show will treat people who hope to believe. It is about people who
shape their non-understanding, say a prayer or sing a song. Maybe every
act is a prayer and an attempt to attach yourself to the world around
you.'"
See also: Famous Dutch Actor Becomes Orthodox Hermit
Orthodoxy in the Heart of Africa - in the Ends of the Earth
Musicians Who Are Converts to Orthodox Christianity
Orthodoxy in the Heart of Africa - in the Ends of the Earth
Musicians Who Are Converts to Orthodox Christianity
Philosophical Ketchup
Orthodoxy
LOVERS OF TRUTH: THE LIFE OF HIEROMONK SERAPHIM ROSE
Lover of Truth: St John, The Wonderworker of San Francisco
OUR TALENT OF FREEDOM & SOME PITFALLS
Orthodoxy
LOVERS OF TRUTH: THE LIFE OF HIEROMONK SERAPHIM ROSE
Lover of Truth: St John, The Wonderworker of San Francisco
OUR TALENT OF FREEDOM & SOME PITFALLS
From General Hospital to the Hospital of Souls: Interview with Jonathan Jackson
Why I Converted To Eastern Orthodoxy : Author Frank Shaeffer
Matthew Gallatin: Thirsting for God in a Land of Shallow Wells
Orthodox America - By Issue Number
Orthodox England
"The Orthodox World"
Why I Converted To Eastern Orthodoxy : Author Frank Shaeffer
Matthew Gallatin: Thirsting for God in a Land of Shallow Wells
Orthodox America - By Issue Number
Orthodox England
"The Orthodox World"
Διάσημος Ολλανδός ηθοποιός ορθόδοξος ερημίτης
Στο βίντεο [δες λίγο πιο πάνω] υπάρχουν αποσπάσματα από τη βάπτιση ενός Ολλανδού και στη συνέχεια την υπαίθρια Θ. Λειτουργία και την πρώτη φορά που ο νεοφώτιστος μεταλαμβάνει το Σώμα και το Αίμα του Ιησού Χριστού... Και το όνομα αυτού Nektarios !!! Βλέπουμε την πομπή προς το σημείο όπου θα γίνει η βάπτιση με τους πιστούς να κρατάνε εικόνες στα χέρια: του Αγίου Νεκταρίου αλλά και του μακαριστού Γέροντος Πορφυρίου!
Η βάπτιση έγινε την Πέμπτη 21 Απριλίου 2011. Ο μοναχός με τα άσπρα γένια [νονός σ' αυτή τη βάφτιση] είναι ο Ολλανδός Josef Van den Berg, πρώην μαριονετίστας, θεατρικός συγγραφέας και ηθοποιός, ο οποίος τώρα ζει ως ερημίτης.
Γεννήθηκε στις 22 Αυγούστου 1949 και παράτησε το θέατρο στα 42 του, στο απόγειο της δόξας του και με θαυμαστό τρόπο κάτι άλλαξε μέσα του και αποφάσισε να παρατήσει ΤΑ ΠΑΝΤΑ, ΧΡΗΜΑ, ΔΟΞΑ, ΟΙΚΟΓΕΝΕΙΑ, ΦΙΛΟΥΣ, ΔΗΜΟΣΙΟΤΗΤΑ, να γίνει Ορθόδοξος Χριστιανός και να ασκητέψει σε μια καλύβα στην Ολλανδία, αφού πρώτα συνάντησε τον Γέροντα Σωφρόνιο στο Έσσεξ και στη συνέχεια το γέροντα Πορφύριο αλλά και τον Γέροντα Παϊσιο στο Αγ. Όρος.
Η βάπτιση έγινε στο Waal κοντά Neerijnen από τον πατέρα Dušan. Παρόντες ήταν αρκετοί διάκονοι και ιερείς από τις σερβικές ενορίες Sveti Nektarije Eginski από Breda, Sveta Trojica από το Ρότερνταμ, αλλά και τη ρωσική ενορία Αγίου Τύχων από Nijmegen και εβδομήντα ορθόδοξοι πιστοί.
Αυτά είναι τα θαύματα της πίστεως μας ανά την Ορθόδοξη Οικουμένη. Στο βίντεο αξίζει να παρατηρήσετε το υπαίθριο παρεκκλήσιο αλλά και την Αγία Τράπεζα που είναι πάνω στο μικρό καροτσάκι που χρησιμοποιούσε ως μαριονετίστας ο ερημίτης Ολλανδός μοναχός.
Δείτε και:
Οικογένεια ορθόδοξων ερημιτών στη Σουηδία
Ορθόδοξες ρίζες στη Δύση
10 Ιεραποστολικά βίντεο
Κεντρική Ευρώπη
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